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c_corie

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  1. Why would you compress the send, and do you mean compress the reverb bus track, or like the stuff before it hits the reverb? I'm using a Digi 001, with super old pro tools into a G3 B&W (overclocked to 400mhz! haha) powermac with OS9, sort of because my main computer with a Delta 66 and Kristal crashed-won't even boot, and the delta interface was having issues anyway. And also cause the setup (B&W G3 + matching 21inch CRT and delta for a total of around $185. I've been getting into older macs latley since the PC crash, hence I'm using an eMac in my room. But I guess my point is this, would it be worth it to invest in room mics? or should I just move my overheads a little further away, or should I just use plugins (I have digiverb that came with old protools)?
  2. With all the talk about room mics, and all that, how many current ish (within the last....15 years or so) CDs use "artifical reverb"? Also what do they use because most of the reverb plugins i've tried sound....akward and make things sound not as "real" as just dry. Any input on if CDs like 311s blue album, Godsmacks self first CD, Korns Issues, or stuff like that( Sorry I like the 90s), where you hear "ambience" is it from room mics, an outboard reverb unit, or plugins? Also is "cheap reverb" the weak link in most mixes more so then an ok EQ or compressor/limiter?
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