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What are you using for studio monitors, and how do you like them?

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  • #31

    I'm using my own brand of monitoring system the NUFEELD COREGO f1!
    It's a rather unique approach based on one single loudspeaker and a pure mid/side thinking (The patented Embracing Sound Theatre HD technology) for audio reproduction ensuring the purest possible time domain and phase accuracy. By this approach we're also avoiding comb filter artifacts always present in conventional two (or more) loudspeaker systems.

    How I like them....We'll I would not have started building these systems if I was not convinced this is the best thing to come along since (Room for analogy of your choice....sliced bread is usually popular

    Welcome to listen to a couple of mixes I've made and mastered with the COREGO f1 system.

    http://www.youtube.com/watch?v=slKaZtSI0BA
    http://www.youtube.com/watch?v=7fYFeoj2T38

    These examples of course says more about my mixing abilities/disabilities than the system itself.

    One of our biggest selling arguments for the system is the "No surprises in the car" factor. All Engineers that have tried the system whole heartedly agrees with that. Mixes land quicker, easier and you realise you need less compression and EQ because in a lot of cases we're compensating for acoustic phenomenon of using two loudspeakers...not necessarily fixing problems with the recorded material itself.

    Being an audio engineer I would discard any single speaker technology using phase magic to create stereo as it makes it unreliable as a studio reference tool. The Embracing Sound technology does not do this and is in my opinion the only single loudspeaker concept that works and presents an accurate stereo and surround information.

    I would dearly love for Craig to do a review of the COREGO system at some point but I think there's a number of stones to be turned first. Finding an American distribution network, appearing at NAMM etc.


    A single point sound source covers all your studio monitoring needs.<br>Bridging the gap between 5.1 Surround, Stereo Downmix and Mono Compatibility in one single mix session.<br><a href="http://www.nufeeld.com">NUFEELD COREGO www.nufeeld.com</a>

    Comment


    • Snaporaz
      Snaporaz commented
      Editing a comment
      Studio monitors should be time aligned below 5 micro seconds, usually they are around 3 micro second,

      otherwise you don't hear what the track really is

  • #32
    Thanks Snaporaz....
    Appreciated...
    A single point sound source covers all your studio monitoring needs.<br>Bridging the gap between 5.1 Surround, Stereo Downmix and Mono Compatibility in one single mix session.<br><a href="http://www.nufeeld.com">NUFEELD COREGO www.nufeeld.com</a>

    Comment


    • Snaporaz
      Snaporaz commented
      Editing a comment

      had a look at your monitors as Sennberg


  • #33

    That's a really nice studio...Are you based in the US, Tokyo or elsewhere...or maybe traveling all over the place
    There's absolutely the need to experience our systems first hand. The difference between the traditional two loudspeaker systems (real stereo and phantom mono) and ours (real mono and phantom stereo) is quite striking. The depth information and the resolution and detail in the upper mid range are things worthy of notice. Talking from my own experience....there's no going back.

    As we're quite new to the market there will be reviews coming shortly.

    A single point sound source covers all your studio monitoring needs.<br>Bridging the gap between 5.1 Surround, Stereo Downmix and Mono Compatibility in one single mix session.<br><a href="http://www.nufeeld.com">NUFEELD COREGO www.nufeeld.com</a>

    Comment


    • Snaporaz
      Snaporaz commented
      Editing a comment

      I travel. Officially I am at home in Shanghai, but most of the time I am at home with my family, and work at home.

       

       

       

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