I'm using my own brand of monitoring system the NUFEELD COREGO f1!
It's a rather unique approach based on one single loudspeaker and a pure mid/side thinking (The patented Embracing Sound Theatre HD technology) for audio reproduction ensuring the purest possible time domain and phase accuracy. By this approach we're also avoiding comb filter artifacts always present in conventional two (or more) loudspeaker systems.
How I like them....We'll I would not have started building these systems if I was not convinced this is the best thing to come along since (Room for analogy of your choice....sliced bread is usually popular
Welcome to listen to a couple of mixes I've made and mastered with the COREGO f1 system.
These examples of course says more about my mixing abilities/disabilities than the system itself.
One of our biggest selling arguments for the system is the "No surprises in the car" factor. All Engineers that have tried the system whole heartedly agrees with that. Mixes land quicker, easier and you realise you need less compression and EQ because in a lot of cases we're compensating for acoustic phenomenon of using two loudspeakers...not necessarily fixing problems with the recorded material itself.
Being an audio engineer I would discard any single speaker technology using phase magic to create stereo as it makes it unreliable as a studio reference tool. The Embracing Sound technology does not do this and is in my opinion the only single loudspeaker concept that works and presents an accurate stereo and surround information.
I would dearly love for Craig to do a review of the COREGO system at some point but I think there's a number of stones to be turned first. Finding an American distribution network, appearing at NAMM etc.