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HNGD to me - Vintage Content


travisty

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This arrived in the post yesterday. Happy me. :)

 

A Yamaha AE-18 hollow body from the mid-70s (still need to check on date but a serial number 200-odd later is dated to 1976). Carved spruce top, maple neck, ebony fretboard. Twin HBs with coil taps. Very low action, and easy as can be to play. I like Yammies.

 

As a relative newbie I don't yet know how to make it sing quite as well as I hope to, but it sounds really nice anyway. And I hope will be easy to practice at night, unplugged - without waking the neighbors and kidlets.

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That's very nice, and I'd guess that would be from the more "golden era" of Yamaha guitars. I would have found that hard to resist myself.

 

Hollow body guitars are indeed a bit of a different animal tone-wise. Try different genres with it, including the Beatles Revolution with some over drive turned up. I've had similar issues trying to figure out where my Epi Elitist Casino shines. Now on my Gretsch 6120, it's a bit more obvious that it loves Rockabilly or Chet Atkins style tones.

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Thanks all. I like it. Should be a decent guitar as they charged an arm and a leg for it at the time - about a third the price of a new Toyota Corolla - which translated to 1974-1976 USD would have been about US$1k (back when the USD was relatively strong).

 

I am surprised by how nice it feels. I will have to play around with the action a bit. I may also have to have a crack at the pots - no scratchiness but not as much range on tone as I might have imagined.

 

jt654, these tend to go for $1200-1400 in my recent limited experience looking around for one (and digging through the intrawebs). I could imagine a perfect one might see someone asking a bit more, but it might sit there for a while. Looking at what else is out there for a similar price, it is tough to get a well-made carved spruce top archtop for less than that, but there are some nice guitars out there at twice that, so it is probably not too far off 'right.'

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. . . I am surprised by how nice it feels. I will have to play around with the action a bit. I may also have to have a crack at the pots - no scratchiness but not as much range on tone as I might have imagined. . . .

If you specifically want more range from the tone controls, replace the capacitors with something with a higher value. No need to replace the pots.

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Those are fabulous guitars.

 

I always felt that guitar manufacturers only made guitars as good as they had to back then. Gibson and Fender were selling them as fast as they could build them based solely on reputation. The Japanese makers had something to prove if they wanted to be taken seriously so they really stepped up.

 

 

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