Members rsf1977 Posted May 13, 2005 Members Share Posted May 13, 2005 can someone describe what these sound like in a high gain metal situation for rythym? Do they sound like any pickups currently available from other vendors? Link to comment Share on other sites More sharing options...
Members Sekator Posted May 13, 2005 Members Share Posted May 13, 2005 Supposedly the Seymour Duncan Dimebucker is a copy of this one. I ordered one last year (the L-500 XL from the one and only Bill Lawrence at www.billlawrence.com, not the other fake site) and replaced the stock Ibanez pickup in my old SA160. It was better, but I would be lying if I said it was a dramatic improvement (but that might because maybe the stock pickup was better than I thought it was). Link to comment Share on other sites More sharing options...
Members rsf1977 Posted May 13, 2005 Author Members Share Posted May 13, 2005 cool thanks! Is it considered a bright or dark pickup? Does it have a tonal flavor of any sort? Link to comment Share on other sites More sharing options...
Members Sekator Posted May 13, 2005 Members Share Posted May 13, 2005 I really don't remember that well, I had for about 3 months before I sold my SA160 and decided I wanna go low and got myself a baritone instead. I remember it was quite good, balanced and had a clean tone, but I think the original Seymour Duncan JB on my ESP sounded better. But than the ESP costs 3 times as much as the Ibanez SA160 (which had a horrible tremolo that probably sucked out a lot of the tone), so it's hard for me to compare. Either way, the L-500 XL is inexpensive ($55 or so) so even if you don't like it you should be able to easily sell it for $40 or more on EBay to people who want to get it right away instead of waiting 4-6 weeks to get them from Bill and Becky. Link to comment Share on other sites More sharing options...
Members squealie Posted May 13, 2005 Members Share Posted May 13, 2005 Lots of output, lots of top-end. Crunchy, but thin. I've got 2, one that used to be in a CU-22, and one that's coming out of a Warmoth superStrat. Link to comment Share on other sites More sharing options...
Members rsf1977 Posted May 13, 2005 Author Members Share Posted May 13, 2005 thin huh? that sucks? I thought people liked this for metal? Link to comment Share on other sites More sharing options...
Members Sekator Posted May 13, 2005 Members Share Posted May 13, 2005 Well, sometimes less bass is better...for example on my baritone I cut down a lot of the bass before the preamp and boost it only afterwards. this helps a lot to get a really chunky sound when palm muting, 'cause boosting the bass on thick string will just make it sound like mud, especially on palm mutes. Link to comment Share on other sites More sharing options...
Members Panopticon Posted May 13, 2005 Members Share Posted May 13, 2005 Originally posted by rsf1977 thin huh? that sucks? I thought people liked this for metal? The EMG 81 is the thinnest sounding pickup i have ever heard, but it cuts ridiculously well. With the right eq'ing you can get them more beefy, obviously. Link to comment Share on other sites More sharing options...
Members rsf1977 Posted May 13, 2005 Author Members Share Posted May 13, 2005 Originally posted by EdgySwingsetAcid The EMG 81 is the thinnest sounding pickup i have ever heard, but it cuts ridiculously well. With the right eq'ing you can get them more beefy, obviously. good point! I should have thought of that lol I always want it to be perfect out of the box and i guess nothing really is Link to comment Share on other sites More sharing options...
Members Help!I'maRock! Posted May 13, 2005 Members Share Posted May 13, 2005 i have the L500L, which is lower output, and it screams. the word i think of is "clear". Link to comment Share on other sites More sharing options...
Members rsf1977 Posted May 13, 2005 Author Members Share Posted May 13, 2005 Originally posted by Central Scrutinizer i have the L500L, which is lower output, and it screams. the word i think of is "clear". nice! what is 500XL supposed to sound like in comparison to the 500L? Link to comment Share on other sites More sharing options...
Members Help!I'maRock! Posted May 13, 2005 Members Share Posted May 13, 2005 Originally posted by rsf1977 nice! what is 500XL supposed to sound like in comparison to the 500L? its simply supposed to be higher output. personally, i don't think that's a good thing, as i'd rather the amp did the work, and not compress so fast. YMMV. Link to comment Share on other sites More sharing options...
Members presa_tito Posted May 13, 2005 Members Share Posted May 13, 2005 I have a genuine XL and yes, I would say clear is a better description than thin. There is a fair amount of treble, but I have found that with all ceramic magnet pickups I've played. It's great for hard rock and metal. Quite agressive nature overall and it has a surprisingly good twangy clean. Link to comment Share on other sites More sharing options...
Members SoundwaveLove Posted September 18, 2005 Members Share Posted September 18, 2005 i'm insterested in the L-500 because of the blade setup but I don't like twang. looking for more of a blues cruch Would i be better off with a L-500 R?or should i look somewhere else Link to comment Share on other sites More sharing options...
Members Help!I'maRock! Posted September 18, 2005 Members Share Posted September 18, 2005 Originally posted by SoundwaveLove i'm insterested in the L-500 because of the blade setup but I don't like twang. looking for more of a blues cruch Would i be better off with a L-500 R?or should i look somewhere else the R is the neck pup that is matched to the XL. i'd go with an L. i like it in my ibanez. Link to comment Share on other sites More sharing options...
Members branjispad Posted September 18, 2005 Members Share Posted September 18, 2005 bettencourt used the L500 not sure if it was the xl or not though. I think the screaming harmonics, thinner bass, and crazy cutting mids is what that pick up is all about Link to comment Share on other sites More sharing options...
Members JandG Posted September 18, 2005 Members Share Posted September 18, 2005 I got em in a 94 RR USA Jackson & were factory installed for only a year or 2, & I think they are the other L-500Xl's, they are filled & have the thinner blade, ...anyway, they are NOT thin in the least in my guitar . I don't care for the Bill Lawrence drama crap, But it is highly debateable who even made the original. I think I have read that it was not even Bill L. Since Bill Lawrence is just a company name & no REAL Bill Lawrence to speak of. I would say just listen to them without the are they real or not crap, buy from both USA.com & Bill & Beck L & hear for yourself, sell the ones you don't like for what you paid easily. I can truley say head to head agaist some very good USA pickups I have, they do very , very well.J & G Link to comment Share on other sites More sharing options...
Members BAZGUITARMAN Posted September 18, 2005 Members Share Posted September 18, 2005 I had one in a Washburn Nuno model. It`s been a few years, but I`ll try to describe it. It was very hot, output wise. Also it had a very cutting top end and upper mid-range voicing. I never had any trouble with it sounding thin. I think they are just so tight in the bass responce that people mistake them for sounding thin. Also they aren`t voiced like a lot of modern high output hummers. They don`t have the over bearing, woofy bass responce. Also I wouldn`t recommend them for an overly bright guitar. A too bright guitar may make the 500XL sound too bright. If you`re playing music that requires clarity and tight pick responce then the 500XL would be a good choice. Eric Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.