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Do "hybrid" tube amps sound like ....


swolter

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a "real" tube amp? I'm thinking of amps like the Kustom the Contender that have a tube in the preamp.

 

Just wondering how close they come to the sound of a real tube amp, especially in terms of responsiveness.

 

Does anyone have any experience with them?

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Not very similar. The characteristic sound of a rube amp comes from overdriven power tubes. If that's the sound you are looking for, some of the amps mentioned here, the Super Champ XD and the Vox Valvetronix, would be better. The Valvetronix uses a tube which is normally a preamp tube, but they use it in a power amp circuit and then further amplify it, so it sounds much different from a tube preamp hybrid.

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Not very similar. The characteristic sound of a rube amp comes from overdriven power tubes. If that's the sound you are looking for, some of the amps mentioned here, the Super Champ XD and the Vox Valvetronix, would be better. The Valvetronix uses a tube which is normally a preamp tube, but they use it in a power amp circuit and then further amplify it, so it sounds much different from a tube preamp hybrid.

 

 

Thanks for that answer; it's helpful.

 

Can you help me understand what the purpose is, or what effect is achieved, by putting a tube in the preamp (ala the Kustom) versus putting a tube in the power amp circuit (ala the Valvetronix)? I'm not really looking for overdive so much as I am for sparkling (or shimmering, or Fender-like, however you describe it) cleans. Which configuration would come closer for that?

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Thanks for that answer; it's helpful.


Can you help me understand what the purpose is, or what effect is achieved, by putting a tube in the preamp (ala the Kustom) versus putting a tube in the power amp circuit (ala the Valvetronix)? I'm not really looking for overdive so much as I am for sparkling (or shimmering, or Fender-like, however you describe it) cleans. Which configuration would come closer for that?

 

 

From what I'm reading on Kustom's site, The Contender is actually a tube driven preamp, meaning that the 12AX7 in the preamp section is actually the gain producing circuit and is analog in design. IOW, the tube IS the preamp.

 

In the Valvetronix stuff the preamp is actually digital and the power amp is solid state, with a 12AX7 tube between the two to produce some of the "sag" and warmth of pure analog tube circuitry. Whether this is really achieved or not is subject to opinion.

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What is your criteria for the sound of a tube amp? Do you mean Mesa Boogie Dual Recto? Maybe a Marshall JCM800? Perhaps a Fender Bassman? Vox AC30?

 

Each of these classic tube amps sound completely and radically different than each other. Why? The circuit design largely dictates the amp's tones. There is no reason why a great circuit, regardless of the technology used to create it, won't sound great. Don't waste time considering if an amp sounds exactly like another amp and judge it on its own merits. If it sounds good it is good...

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What is your criteria for the sound of a tube amp? Do you mean Mesa Boogie Dual Recto? Maybe a Marshall JCM800? Perhaps a Fender Bassman? Vox AC30?


Each of these classic tube amps sound completely and radically different than each other. Why? The circuit design largely dictates the amp's tones. There is no reason why a great circuit, regardless of the technology used to create it, won't sound great. Don't waste time considering if an amp sounds exactly like another amp and judge it on its own merits. If it sounds good it is good...

 

 

That's been my criteria about all equipment for a while. I haven't played enough of these classic amps for any period of time to be able to say whether the modeling sims sound anything like the originals but I definitely find some very nice sounds out of modeling amps. That's good enough for me.

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What is your criteria for the sound of a tube amp? Do you mean Mesa Boogie Dual Recto? Maybe a Marshall JCM800? Perhaps a Fender Bassman? Vox AC30?


Each of these classic tube amps sound completely and radically different than each other. Why? The circuit design largely dictates the amp's tones. There is no reason why a great circuit, regardless of the technology used to create it, won't sound great. Don't waste time considering if an amp sounds exactly like another amp and judge it on its own merits. If it sounds good it is good...

 

 

No argument from me. But is hard to know whether it sounds good when you don't have one, the local stores don't have one, and you can't find a demo on youtube. Just asking for opinions from anybody who has had experience with them.

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No argument from me. But is hard to know whether it sounds good when you don't have one, the local stores don't have one, and you can't find a demo on youtube. Just asking for opinions from anybody who has had experience with them.

 

 

One of the UK mags gave them a favorable review a while back If I recall correctly. If for some reason you have to have that amp then you take the gamble and make sure you put up the vids and reviews so others can leverage your opinion. Otherwise, pass on them.

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IMHO, the SCXD is freakin' amazing. I recommend it highly.

 

Now, if money wasn't an issue I'd have a pre-CBS Princeton or Deluxe, but for 15% - 20% of what that'd cost me I'm damn close w/ the Super Champ.

 

Or course it depends on which tube amp you're going for though. It does a great Fender clean, and a pretty good vintage Vox too. But if you're looking for an '80s super high gain metal sound then it's definitely not for you.

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Here's the deal. My Valvetronix has 22 amp models in it. Some of those amps I've heard, others not. Of the ones I've heard, I'd say they are about 90 percent there. They all sound pretty good though.

I also have a Blues Jr and an AC4. The AC4 has "the sound" I want so the others don't get much use now.

If you want versatility and are willing to sacrifice a bit of the sound, then the hybrid makes perfect sense.

If you want one sound, the sound, then the tube amp gets you all the way there.

Everything is a trade off of one sort or another. You just have to weigh your needs and decide what's best for you.

In my playing, I'm looking for a very specific, ragged, raw sound. The EL84 in the Vox AC4 gives it to me without rattling the windows.

Good luck and have fun.

 

EG

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Here's the deal. My Valvetronix has 22 amp models in it. Some of those amps I've heard, others not. Of the ones I've heard, I'd say they are about 90 percent there. They all sound pretty good though.

I also have a Blues Jr and an AC4. The AC4 has "the sound" I want so the others don't get much use now.

If you want versatility and are willing to sacrifice a bit of the sound, then the hybrid makes perfect sense.

If you want one sound, the sound, then the tube amp gets you all the way there.

Everything is a trade off of one sort or another. You just have to weigh your needs and decide what's best for you.

In my playing, I'm looking for a very specific, ragged, raw sound. The EL84 in the Vox AC4 gives it to me without rattling the windows.

Good luck and have fun.


EG

 

 

^^^Words of wisdom^^^

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There is one critical piece of information you have to remember: a tube in the pre-amp is basically pointless, at least in the naive configuration that amps like that Kustom use. It was one of the early approaches to improve solid-state sound, and it just doesn't work. It improves it, sure, but it doesn't really accomplish that much in the end.

 

The Vox approach that is used in the Valvetronix and ToneLab is NOT to use a tube preamp, as such. Instead, what they do is to provide a digital modeling preamp, and then configure a 12AX7 as a very small power amp. The result of that stage is run into a normal solid state amplifier. The Fender SCXD and VCXD are similar, but they go farther by providing a real tube pre-amp and power amp both.

 

This is more or less why Vox gets a nice warm tone while Line 6 and Roland rape your ears.

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I think some hybrid designs are really well done. I currently have 2 hybrid amps, a Trace Elliot Tramp which has the 12ax7 in the preamp circuit, and a MusicMan HD130 which has a solid state pre and an EL34 power section. Both are great sounding amps in their own right, but when I use them, it's because of their unique features or sounds, not because they sound like X tube amp. If I want the sound and feel of a tube amp, I use a tube amp.

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I had a Marshall Artist 3203 when I was younger and I think it sounded pretty convincing. Of course, it had 2 EL34 output tubes. The "hybrid" part was a solid state preamp mixed with an ECC83. Man I wish I still had that amp. I sold it to buy my Bassman so it was a good trade off...but that Marshall could rip.

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IMHO, the SCXD is freakin' amazing. I recommend it highly.


Now, if money wasn't an issue I'd have a pre-CBS Princeton or Deluxe, but for 15% - 20% of what that'd cost me I'm damn close w/ the Super Champ.


Or course it depends on which tube amp you're going for though. It does a great Fender clean, and a pretty good vintage Vox too. But if you're looking for an '80s super high gain metal sound then it's definitely not for you.

 

I'll second that emotion. I picked up a like-new SCXD a month or two ago in a pawn ($175) to try as my stage monitor for my church rig, and I pretty much live on the clean and Vox settings. I'd tried 2 other small amps looking for a perfect fit (one solid state, one all tube) and I'm sticking with the SCXD.

 

:thu:

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There is one critical piece of information you have to remember: a tube in the pre-amp is basically pointless, at least in the naive configuration that amps like that Kustom use. It was one of the early approaches to improve solid-state sound, and it just doesn't work. It improves it, sure, but it doesn't really accomplish that much in the end.


The Vox approach that is used in the Valvetronix and ToneLab is NOT to use a tube preamp, as such. Instead, what they do is to provide a digital modeling preamp, and then configure a 12AX7 as a very small power amp. The result of that stage is run into a normal solid state amplifier. The Fender SCXD and VCXD are similar, but they go farther by providing a real tube pre-amp and power amp both.


This is more or less why Vox gets a nice warm tone while Line 6 and Roland rape your ears.

 

 

I've really wanted to let all the explanations of the Vox Valvereactor slide but just can't. The circuit is built to emulate the negative feedback (or not) characteristics of some amps, output transformer coloration, and different power amp configuartions (A vs AB). The tube is run at staved plate voltage and I would bet you could easily substitute a fet and not hear any difference. Anyone truly insterested in the Vox circuit needs to go check out Teemu Kytt

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