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Indonesian Ibanez guitars.


les_paul

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Hey everyone, new to the guitar forum here. I am looking at 3 guitars right now. They are the Ibanez RG1XXV, RG3570Z, and an LTD Snakebyte. I'm going to pull the trigger on the 28th.

 

I'm extra curious about the RG1XXV but I'm not sure about the quality on newer Ibanez guitars. Since they've moved from Korea I'm a bit leery on consistency. I know what to expect out of Korean LTD guitars. I am also fairly confident in the Ibanez Prestige line. The Prestige line has it's price tag, though. The Snakebyte isn't much more expensive than the RG1XXV and has an ebony board plus ships in a case.

 

So what does everyone think? Any input on any of the models is greatly appreciated.

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My current #1 is a Korean RGT42. I remember when those got slammed because they weren't from Japan. If they've been manufacturing reliable guitars for more than 5 years I won't even blink about it. I just want an obnoxious neon guitar to shred on.

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I don't know about the current Ibanez models (my experience with them is all MIJ and it's all good) but Yamaha makes some very fine guitars in Indonesia - especially when you factor in the reasonable prices.

 

I would be confident that Ibanez will not disappoint.

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I have an LTD bass made in Indonesia and it's exceptional, but it weighs a freaking ton! Great tone and excellent attention to detail though. 4 piece ash body, one piece maple neck:

 

 

ltd1.jpg

 

My son has an LTD KH602 made in Korea. I would say that the two are pretty much equal in terms of build quality and component quality.

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Bought a real nice Ibanez Prestige RG for $1,300 some years ago. Played it for a year and thoroughly enjoyed it. I had a friend with a simple Indo RG 3EX1 that he installed dimarzio's in. I played it a few times and was amazed how nice it played and how it sounded. The guitar sustained really well. I kept trying to convince myself that the Prestige RG I had bought was better, but in the end I just knew that I liked the RG3EX1 more. Finally I offered to buy the RG from him and eventually I just stopped playing my Prestige. I then later sold the guitar and now that Indo RG is still my #1 and I have been through a LOT of guitars.

 

Maybe I just got REALLY lucky with the wood they used or something, but it definitely opened my eyes.

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The name Indonesia doesn't inspire confidence but certain brands like Yamaha, Ibanez etc.. have heard a lot of good things about the quality of instruments. That applies with any country I guess. I'll be getting an Indonesian made S570 or S770 in the near future.. mainly for the ZR trem but it wouldn't surprise me if I end up liking this guitar more than my upgraded Japanese RG470.

 

Gotta gotta upgrade pickups etc. Think I'll be putting a Norton/Pearly Gates in mine.

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This is good advice especially if you can do your own. Since I recently learned how to do fretwork I can make most any guitar a good to great player.

I got shown by someone who used to build and so now all of my guitars play equally well. It's cool when you don't have to put up with {censored}ty playability for the sake of the tone you want.

 

Edit: lol@talking about guitars based on what country they're from. I've worked on guitars from everywhere. There is no guitar golden land, {censored} comes from everywhere. Buy whatever guitar has the features and general feel you like and then invest in a setup. For instance: if you have $500 to spend on a new guitar, buy one for $300-350 and spend the rest on a proper setup from a real luthier/tech. There is no guitar I've ever bought that didn't need work put in - nuts are almost always too high on production guitars and neck relief normally needs to be reset. Invest some of your money in the potential, and the rest in reaching that potential.

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It's all about quality control. Having travelled extensively through Indonesia, they have some of the finest wood crafters I have ever seen. The question is, are they working in the factory and does the factory give a {censored} about what is coming out of there?

Do they care? Not very much, I'd imagine. If someone told me, living in Canada, to build them a guitar when they live in India, I'd discount them a couple hundred just so they could get a local setup done. Environmental impact on a guitar cannot ever be factored out of the resulting final product. That being said, if you've got a body with paint and neck with frets, you're 95% of the way there - your guitar is only a single set of loving hands away from being a killer player.

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It's all about quality control. Having travelled extensively through Indonesia, they have some of the finest wood crafters I have ever seen. The question is, are they working in the factory and does the factory give a {censored} about what is coming out of there?

 

I think they may have machines, its highly unlikely they rounded up some wood crafters to whittle them by hand.

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. Buy whatever guitar has the features and general feel you like

 

 

Once again you are spot on. I don't buy a guitar because of the name on the headstock but for the features I'm after and how comfy it is for me to play. That is my starting point and I can tweak from there.

 

Oddly enough when I look back at all of the electric guitars I've owned, Ibanez seems to be my go to brand. I'm not a shredder by any means but they just seem to have the feel and features I like.

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Some of you guys glossed over the part where I said if they've been building them there for a while I don't really care. It's not about where they're built. It's completely about how long they've been built there. Its like anything else: on a new line there are going to be problems. If the line isn't new, odds are the problems have been worked out.

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