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Anyone have an Epiphone Al Caiola?


fuzztone

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Quote Originally Posted by realtree71 View Post
I know of a man whom owns what you seek. I've seen it and touched.......
Awesome! I have never seen on in person,they are pretty rare beasties.

Quote Originally Posted by Davo17 View Post
looks cool...gonna miss the toaki thread...
Don't worry,I'm keep'n the toaki!

DSCF4589.jpg

Quote Originally Posted by Davo17 View Post
what do the switches do.
Les Paul Forum Member Robal wrote this:

"I have a Caiola Custom with the Tone Expressor switch system. This is a Varitone type circuit, using a large choke and a series of different sized capacitors, that is switchable with slide switches. It is more versatile that a typical Varitone that uses a rotary switch since you can have different combinations of slide switches to filter different frequencies. But it has disadvantages too: 1. You can't play both the neck and bridge pickups at the same time, you have to switch between one or the other; 2. the Tone Expressor system loads the pickups; 3. I can find only a couple of truly useful settings with the Tone Expressor circuit despite all the possible combinations. My solution was to have a replacement plastic cover made that uses the conventional system that you would find on a Gibson 335: two volume pots, two tone pots, 3-way toggle switch to select pickups. I replaced the entire Tone Expressor cover and electronics with this and it made the guitar more useful. If I want to return it to stock, I just have to reconnect a few wires to the Tone Expressor. I am happy with the results."

MR. 355,another member of the Les Paul Forum,said this about his Al Caiola Standard(P-90s):

"features of the "AL Caiola Standard" beside the P90's are: A fully hollow body with NO f holes affording it great feedback resistance, a DOT marker brazillian board and a great neck profile with the wide nut that we pay the big bucks for, Kluson tuners and another important deviation from the "Custom"; an ABR 1 that is sitting on posts mounted directly into the body vs. the movable base mount on the Custom. As aforementioned by Litcrit, it is the only ES double-cut style guitar with a 25.5" scale length and I love it.
Making a new plate and mounting any type of harness you like would be a breeze compared to re-wiring an ES. Mine is so clean as to look like a brand new guitar (I don't have a digital camera so I'm sorry that I can't post any pics) so I'm never going to mess with it. Like a 345-55 it sounds great as it is but would open up with modification. A personal observtion of mine as I own several early ES models and their Epi counterparts is that the workmanship on my Epi's, particularly the neck-fingerboard joint is much better? These are rare birds indeed as I have only seen one other either in person or on the net, and I've been looking for years."
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Quote Originally Posted by fuzztone View Post
Awesome! I have never seen on in person,they are pretty rare beasties.



Don't worry,I'm keep'n the toaki!

DSCF4589.jpg



Les Paul Forum Member Robal wrote this:

"I have a Caiola Custom with the Tone Expressor switch system. This is a Varitone type circuit, using a large choke and a series of different sized capacitors, that is switchable with slide switches. It is more versatile that a typical Varitone that uses a rotary switch since you can have different combinations of slide switches to filter different frequencies. But it has disadvantages too: 1. You can't play both the neck and bridge pickups at the same time, you have to switch between one or the other; 2. the Tone Expressor system loads the pickups; 3. I can find only a couple of truly useful settings with the Tone Expressor circuit despite all the possible combinations. My solution was to have a replacement plastic cover made that uses the conventional system that you would find on a Gibson 335: two volume pots, two tone pots, 3-way toggle switch to select pickups. I replaced the entire Tone Expressor cover and electronics with this and it made the guitar more useful. If I want to return it to stock, I just have to reconnect a few wires to the Tone Expressor. I am happy with the results."

MR. 355,another member of the Les Paul Forum,said this about his Al Caiola Standard(P-90s):

"features of the "AL Caiola Standard" beside the P90's are: A fully hollow body with NO f holes affording it great feedback resistance, a DOT marker brazillian board and a great neck profile with the wide nut that we pay the big bucks for, Kluson tuners and another important deviation from the "Custom"; an ABR 1 that is sitting on posts mounted directly into the body vs. the movable base mount on the Custom. As aforementioned by Litcrit, it is the only ES double-cut style guitar with a 25.5" scale length and I love it.
Making a new plate and mounting any type of harness you like would be a breeze compared to re-wiring an ES. Mine is so clean as to look like a brand new guitar (I don't have a digital camera so I'm sorry that I can't post any pics) so I'm never going to mess with it. Like a 345-55 it sounds great as it is but would open up with modification. A personal observtion of mine as I own several early ES models and their Epi counterparts is that the workmanship on my Epi's, particularly the neck-fingerboard joint is much better? These are rare birds indeed as I have only seen one other either in person or on the net, and I've been looking for years."



It is one of the fancier guitars I've seen. He was thinking of selling it but it was pretty expensive
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