Members wankdeplank Posted April 16, 2013 Members Share Posted April 16, 2013 ...for under a Grand. Now that shouldn't piss anybody off should it?Seriously though, I've gotten some of my best deals ever on old Japanese (80's and before) acoustics. I had an Aspen from the 70's that was the most detailed Martin copy imaginable, even had a Brazilian board - played and sounded brilliantly (very jangly). Unloaded that one before the refret. Kept a 69 Alvarez which has a brooding haunting tone. Really great guitars IMO if you can find them. Link to comment Share on other sites More sharing options...
Members xrleroyx Posted April 16, 2013 Members Share Posted April 16, 2013 Well, I like my Takamine... Link to comment Share on other sites More sharing options...
Members wankdeplank Posted April 16, 2013 Author Members Share Posted April 16, 2013 Yes indeed, hard to beat a good Tak. Now I don't know if there's anything to this but I've been told that Japanese acoustics are by and large janglier whereas American makes give you better bass response. Link to comment Share on other sites More sharing options...
Members Grant Harding Posted April 17, 2013 Members Share Posted April 17, 2013 It depends on a whole lot of factors, with geography being one of the insignificant ones. I'd never be able to guess the country of manufacture in a blind test. I understand why people like to generalise to make things fit in their heads, but they all sound and play different. Link to comment Share on other sites More sharing options...
Members Roy Brooks Posted April 17, 2013 Members Share Posted April 17, 2013 I am very happy with my 1973 S Yairi Model 9100 2071_1060634845469_4781_n.jpg and early 1970s Alvarez OOO-sized acoustic. I used to have a Japanese Takamine that was the same size as the Alvarez and had a Martin-style headstock logo. It sounded good and looked sharp. But it didn't sound as good as the Alvarez. Link to comment Share on other sites More sharing options...
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