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Posing Pick Problem


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I could be wrong but those sound like thin picks they drag across the strings. Thicker picks need to be lifted slightly and "ramped" over the strings a la Eric Johnson say.

Regardless, smoothness comes one perfect stroke at a time. Practice even quarters and 8ths. Find the maximum speed you can do flawlessly and effortlessly and work from there.

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Make sure you are actually playing each note and not just whipping your pick back and forth through the string. Start painfully slow - though it may seem tedious at first, establishing intent in every stroke will go a long way in developing smoothness and ensuring that you can maintain control and volume as you speed things up.

 

If you wanna dig a little deeper, check out this comprehensive overview of pick technique by jazz guitarist Tuck Andress.

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Yes, that Tuck Andress link is a great resource for picking information.

I'd add to the original poster that you always want to keep your hands and arms relaxed.

Practice with a metronome for good timing.

And practice dynamics and accenting notes for more overall control - don't just practice for speed.

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Hey Jasco! :wave:..good to see you, hope all is well :)

 

The longer I play, the more I'm convinced that "whatever works, works". With regards to picking, whatever method = the least tension for you..is the best..so you have to try them all!. I couldn't play the fast part in "Highway Star" properly until I tried out "thumb and index finger movement ONLY"..for example.

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Caveat: I'm not a super fast player. I have spend a fair bit of time last year working on alternate picking technique, so I've definitely gotten some lessons learned, but I'm no pro. That said, it's the internet so I might as well give my 2c. :)

 

If you watch videos of a bunch of great alternate pickers - Petrucci, Malmsteen, Vai, Gilbert, Govan... they all have different styles. Some of those styles (like Vai's) look really uncomfortable for me. There are certainly common themes - 1. stay relaxed 2. pick from the wrist, not the elbow and 3. don't anchor your hand on the bridge too heavily; but actual hand positioning is very much an individual thing. Everyone's body is different and what works for you may not be what works for your musical heroes.

 

In my opinion you have to start with the sound and clarity of each note and get the tone you want, then work backwards up your fingers, though your wrist, through your arms to get the whole process in sync to create that sound. If you're consistently flubbing notes, there's a reason. Slow it down and analyze. Is it pick angle? Are you moving your fingers to much? Are you flubbing because you're anchoring your hand on the bridge? I would always recommend playing slowly and accurately and building up speed from a solid foundation, but be aware that every technique has a certain speed at which it begins to feel different. You need to push yourself and understand that feeling in order to play fast. If you only ever practice slow, it's hard to be good and fast. If you jump way ahead and just slop through playing fast, you'll never get clean. You may need to tweak your technique to make a smooth transition. Also, be sure to change things up and don't get stuck playing the same exercise over and over for too long. String skipping feels different from linear lines. Outside picking feels different than inside picking.

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you may also want to look into Directional or Economy Picking, it changes the way you see 3 note per string scale and makes everything very easy. Then again if you are after the picking attack that only alternate picking offers you are on the right path with the advice given here.

Definitely more wrist, I use the thumb muting technique which basically means that I rest my thumb of the picking hand on the strings so that they stay muted when playing Lead Guitar.

Hope this helps :)

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you may also want to look into Directional or Economy Picking, it changes the way you see 3 note per string scale and makes everything very easy. Then again if you are after the picking attack that only alternate picking offers you are on the right path with the advice given here.


Definitely more wrist, I use the thumb muting technique which basically means that I rest my thumb of the picking hand on the strings so that they stay muted when playing Lead Guitar.


Hope this helps
:)



Economy picking a single string gliss is also a wonderful intellectual challenge.

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