Members Dylanwild Posted May 20, 2014 Members Share Posted May 20, 2014 Recorded this the other day, managing to splice together a backing track with audio from the original session. Then I cranked up the Fuzz Factory and did my best crazed-John McLaughlin/Nels Cline/Marc Ribot impression on it. Pretty fun. Link to comment Share on other sites More sharing options...
Members goodhonk Posted May 20, 2014 Members Share Posted May 20, 2014 Listening on my iPad speakers and it still sounds great! Good job. Link to comment Share on other sites More sharing options...
Members Dylanwild Posted May 20, 2014 Author Members Share Posted May 20, 2014 Listening on my iPad speakers and it still sounds great! Good job. Thanks! Link to comment Share on other sites More sharing options...
Phil O'Keefe Posted May 21, 2014 Share Posted May 21, 2014 Really nice work there - lots of cool effects! Link to comment Share on other sites More sharing options...
Members Beef Posted May 22, 2014 Members Share Posted May 22, 2014 Sounds real good. That Fuzz Factory sounds super gnarly. Link to comment Share on other sites More sharing options...
Members goodhonk Posted May 23, 2014 Members Share Posted May 23, 2014 Is it as difficult to use as some people say? Link to comment Share on other sites More sharing options...
Members riff ie Posted May 23, 2014 Members Share Posted May 23, 2014 Which track? tia...Oh there it go, needed a lil bumptidumpti...Nice!!! Link to comment Share on other sites More sharing options...
Members Dylanwild Posted May 25, 2014 Author Members Share Posted May 25, 2014 Thanks for all the positive comments, guys! The setup was actually pretty simple, as far as effects go: Stagg T490 (Tele copy) DOD DFX9 Digital Delay (in "inifinite" mode for the glitchy loops heard later in the track)Zvex Vexter FF (with just enough "gate" to keep it from going nuts)Ernie Ball VP Jr. Fender NOS Tweed Blues Jr. (set totally clean with almost no reverb) Oh, and Goodhonk, the Fuzz Face is definitely quirky - although setting it after the DOD's buffer tames it, seemingly narrowing the range of some of the controls a bit. It squeals less (although at extreme settings it will still oscillate) and the gain range is smaller as well. Ultimately, whether it's before or after a buffer, I think playing with the "stab" and "gate" controls can take you anwywhere from glitch city to fat sustain to theremin-on-steroids. . .just takes some practice dealing with the thing. And I will say that the "core" voice of the FF is still my favorite fuzz sound ever, just a really well-designed box, in my mind. Link to comment Share on other sites More sharing options...
Members BlueToiletDuck Posted May 27, 2014 Members Share Posted May 27, 2014 Miles DOES provide good inspiration, "So What" used to be one of my favs to jam on.... keep up the good work dude. Link to comment Share on other sites More sharing options...
Members jgyn Posted June 11, 2014 Members Share Posted June 11, 2014 Sounds great- very much in spirit with the original recording! Link to comment Share on other sites More sharing options...
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