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Dr. Scientist is always a fun guy to deal with, and I love his pedals. I also love stuff from Klon, Paul C, Strymon, and EHX, and whenever I've talked to those people they've always been super cool too. DMB pedals I've only ever tested the Lunar Echo, but it's great, and Michael is a stand up dude. He replaced me in the band I was in back in Nashville haha.
To sum up, all pedal builders are cool, at least the ones I've had the pleasure of dealing with.
Phil recently introduced me to Molten Voltage. The CV Sync has opened up a whole new world for me. So I am putting Molten Voltage at the top of my list.
The Fulltone TTE is a work of art. The only downside to it is that I want to use it all the time even when the song doesn't call for it.
The Carl Martin OctaSwitch doesn't get enough love from me because I'm not gigging now, and in my little studio there isn't as much need to keep a pedalboard set up. But when I do use it nothing else compares.
The Pigtronix Keymaster allows me to amplify and record my Fender Rhodes Jetson Student model. I haven't even scratched the surface of all the possibilities of this pedal. I also love the Attack Sustain and the Mothership. Both are very unique and powerful.
The ZVex LFLJ is another pedal that I wish I could use all the time. The only feature that would make it more useful to me would be a CV trigger so I could sync the loop somehow. And the Fuzz Factory is a classic. Nothing else compares.
I just recently picked up a Voodoo Labs Amp Selector. It is amazingly versatile, and useful for all kinds of studio functions. Worth every penny.
Lastly, a shoutout to Effectrode for the Phaseomatic Deluxe. Tube modulation at it's finest, and a perfect companion to the EHX Wiggler.
On my boutique wishlist is the Cusack Tap-A-Whirl. I would love to have a trem that could sync to the EHX Clockworks thru the Molten Voltage CTRL- Sync.