If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
I was wondering what's the best position for your picking hand? Should I anchor it on the bridge to always imply string dampening or if I should keep from anchoring my palm or pinky and just be free floating so to speak?
I find my picking hand does all sorts of stuff, depending on what I'm trying to do. In general I don't anchor that hand. When I'm playing lead with a pick my pinky slides around on the top, giving me a reference point without anchoring.
<div class="signaturecontainer"><font face="Arial"><font size="2">We are currently experiencing some technical difficulties due to reality fluctuations. The elves are working tirelessly to patch the correct version of reality. Activities here have been temporarily disabled since the fundamentals of mathematics, physics and reason may be incomprehensible during this indeterminant period of instability. Normal service will be restored once we are certain as to what 'normal' is. </font></font><br ><br><b><font color="green">Save the earth</font>. It's the only planet with <font color="sienna">dark chocolate</font>, <font color="orange">whiskey</font>, and <font color="darkred">wine</font>.</b></div><br>
Flexibility is the key. You will find that 'anchoring' it works against you in many techniques, like hybrid picking, chicken pickin, 'thumb strum' (a la Wes Montgomery), etc. There is no right answer and no two players are the same. For soloing in metal/hard rock, sure anchor[s] away, as it does make palm muting easier.