If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
Harmony Central has “soft launched” our new mobile experience this past week. While we have done extensive testing, we know that with a community as large as HC that there will be items that surface that will still need to be addressed. We are asking that you utilize the thread belowto report any challenges you may encounter. Here are the things we request you provide: A brief description of the issue, the device and operating system version you were using, the browser and version, screen resolution, and a screen shot of the display.
Thanks for your patience as we work towards the best experience we can provide to our community.
Well i guess it all depends on how specific you get. There's probably a crazy amount of math in the engineering, electronics, and design of things like electric instruments amps, and mics. Lots of math involved in the crafting of instruments with measurements, ratios, and proportions. And i'm not much of a computer person, but there could be math involved in the coding of DAWs.
And there's the simple and obvious places like counting time, or the values of notes.
The school i'm going to has a math class, and i was told they try to apply all the gen-ed courses to music, so the math class will supposedly be heavily tied into music, but they were vague on the how.
Writing harmony can be a thoroughly mathematical process. The intervallic relationships between notes (in western classical tonal music) defines what sounds concordant/discordant. Metrical placement of notes within bars is also mathematical, as note duration is usually based upon subdivision of note lengths within the constraints of a given time-signature. On a broader level, structural division within a piece of music can also be mathematically proportional.
Exacly In what areas of Music do you think math is applied? and it what area do you think math is more heavily used?
This is a very open question becuase it can cover from the music it self or a piano tunning person , the fisics of sound etc
In what area of music isn't it applied ?
From tuning, to frequency, to time signature, modality, polyrhythms to the fundamental nature of sound itself and the way we discribe the mathematical modelling of physical instruments through to the entire modern recording process and back again.
It's abit like asking what part of the observable universe do you think math is applied to ?
Kind of a silly question to ask really (IMHO)
<div class="signaturecontainer"><a target="_blank" href="http://venndiagram.virb.com">Venn Diagram - Artist Website</a><br><br>Machinedrum, Monomachine, Analog Four, Octatrack, NordModular, Moog SubPhatty, Novation Nova, Korg MS20 Mini, Maschine, Tassman, Aalto, Absynth, Uhe's ACE & Audulus<br><br><a href="mailto:firstname.lastname@example.org">Contac t </a></div>