Phil O'Keefe Posted March 6, 2017 Share Posted March 6, 2017 Interesting article. I'm always interested in reading about how others approach the art of production. https://bantamu.com/tips-and-interviews/15-how-to-produce-a-record-according-to-jack-white Link to comment Share on other sites More sharing options...
Members mistersully Posted March 13, 2017 Members Share Posted March 13, 2017 thanks always happy to read about Jack's approach... the specifics included were great unfortunately the whole black keys mention was pretty lame Link to comment Share on other sites More sharing options...
Phil O'Keefe Posted March 13, 2017 Author Share Posted March 13, 2017 I'm not really big on the whole idea of musician vs. musician conflicts. Most of them are pretty petty... Link to comment Share on other sites More sharing options...
Members Danhedonia Posted April 3, 2017 Members Share Posted April 3, 2017 I guess this is of interest, but really it just seems like a giant ball washing job of Jack White (whom I admire as an artist). A lot of the 'choices' strike me not as inspired, but sophomoric: the Neil Young record is a good example of a very trite approach. It's like it's more important how the press release reads, vs. the actual music. "To check the mix, Jack White uses the system from his super-car Tesla. Parked outside the Third Man Studio, the mixes are transferred via an FM transmitter, and with a Walkie Talkie he tells the sound engineer what changes to make." Hello, my name is Jack White, and I work harder than a half-smart art student to seem eccentric, bcos: artist. And the manufactured conflict with the Black Keys ... is a bit reminiscent of his assault of the guy from the Von Bondies. D-bag alert, Will Robinson! D-bag alert! Link to comment Share on other sites More sharing options...
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