I had two tracks, each with its own drum-riff. Hell, they sounded fine to me, in playback.
But then I did a phase analysis, and zapped them into correct phase.
WOW!!! What a huge difference--- suddenly both tracks sounded clearer, cleaner and brighter. I never dreamed that bad phase relationships could dampen/muffle (remove higher frequencies) as badly as it did. Like the story of Plato's cave, you just don't know what "bad" is 'til you've heard "good".
This is a little milestone in my audio learning. I'm tryin' to learn all this stuff so I can (attempt to) keep up with you guys.
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Lord, I figured out "phase", and how.Page Title Module
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