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Where is that POP euphoria?!?!


Lee Knight

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Remember that? That transcendent moment when all was right in the world. The verse was building into the prechorus and the melody line was climbing and the drummer does a fill and....

 

AND THEN I SAW HER FACE!!!

NOW I'M A BELIEVER

 

or

 

... LIKE A BRIDGE.... OVER TROUBLED WATER

I WILL LAY ME DOWN!!

 

or

 

ELENORE I THINK YOU'RE SWELL

AND YOU'D REALLY DO ME WELL

YOU'RE MY PRIDE AND JOY ETCETERA!!!

 

The caps are the way you felt when you heard the big payoff. Pop orgasm. So where are those moments of release now?

 

Can you name some of your favorites from the past... or present?

 

WHY DO YOU.... BUILD ME UP, BUTTERCUP BABY JUST TO LET ME DOWN?

AND MESS ME AROUND?

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...We are the Champions my friend....

no time for losers cause we are the Champions of the world...

 

...here am i siting in this tin can high above the moon

planet earth is blue and there's nothing I can do...

 

as for a contemporary example- Bon Jovi does killer pop choruses:

...Its my life its now or never Im not gonna live forever

i just want to live while Im alive...

 

since you had the balls to list a Monkees tune how about this:

The Cowsills: ... I love the flower girl...

 

OK my next tune is gonna focus on this payoff.

This is how hits are made.

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Get yourself to the nearest Fountains of Wayne album, STAT.

 

 

:phil:

 

 

 

"They sell posters of girls washing cars

unicorns and stars, Guns n Roses album covers

They've got most of the Barney DVD's

Coffee mugs and T's that say 'Virginia is for lovers' - but it's not

'round here it's just for truckers who forgot

to fill up on gasoline back up near Aberdeen

 

It's a nine hour drive from me to you south on I-95..."

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That euphoric feeling of hearing the start of a new song and thinking "this is pretty good", and then as the intro and verse progress having that become "hey, this is really pretty good" and then getting hit with the payoff at the chorus and thinking "OMG, this is GREAT!" is one of the coolest things in life. :)

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Im a huge Badfinger fan :thu::thu:

 

 

Knock down the old brick wall, and be a part of it all

Nothing to say, nothing to see, nothing to do

If you would give me all, as I would give it to you

Nothing would be, nothing would be, nothing would be

No matter what you are

I will always be with you

 

 

or

 

I remember finding out about you

Every day my mind is all around you

Looking out from my lonely room, day after day

Bring it home, maybe someday soon

I give my love to you

 

RIP Pete Hamm and Tom Evans :(

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Regarding V/C structured hits:

 

Another pure, perfect pop song of recent memory is "Somebody's Crying" by Chris Isaak.... it's also a great homage to the old garde of pop record making, like Roy Orbison and The Four Seasons. It also has a "cold" ending, which ya don't hear much anymore. Billy Joel once opined (debatable, you'll agree) that your greatest pop songs have cold endings, not fadeouts.

 

A little cheezy and overplayed, perhaps, but what about

.

 

I am personally waiting until the new

comes out.... You've probably heard a brief snippet of it on those recent VISA TV commercials.... I like it 'cause it's entirely faithful to the 1964 version-- they play all the chords right, no hip-hop meshugass--- only with a soulful R&B vocalist doing the vocals....

 

A brilliant recent dance record from this year is

 

And then, of course, my vote for the best pop song of the last ten years--- not strictly a V/C structure, though--- easily goes to Burt Bacharach and Elvis Costello doing "God Give Me Strength" (Play along with it on your axe if you doubt me...). YouTube features

by Swede, Daniel Lindstrom.

 

I think what we're lamenting here is the demise of "song-songs", ie., songs with a beginning, middle and end and a climactic contour.... not just "musical wallpaper", as Frank Zappa called it shortly before his death.

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One of semi-recent vintage that gets me tingly is Sia's "Breathe Me". Or the accoustic version of "Such Great Heights" from the Garden State soundtrack is another one that comes to mind. For that matter Sia with Zero7 on that same soundtrack doing "In the Waiting Line".

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TV commercials.... I like it 'cause it's entirely faithful to the 1964 version-- they play all the chords right, no hip-hop
meshugass
--- only with a soulful R&B vocalist doing the vocals....


A brilliant recent dance record from this year is


And then, of course, my vote for the best pop song of the last ten years--- not strictly a V/C structure, though--- easily goes to Burt Bacharach and Elvis Costello doing "God Give Me Strength" (Play along with it on your axe if you doubt me...). YouTube features
by Swede, Daniel Lindstrom.


I think what we're lamenting here is the demise of "song-songs", ie., songs with
a beginning, middle and end and a climactic contour
.... not just "musical wallpaper", as Frank Zappa called it shortly before his death.

 

 

Man is there ever a lot of musical wallpaper these days... i rarely hear anything on the radio that I think I will enjoy 10 yrs from now...

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