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Friday Influences Thread 12-19-14!


Lee Knight

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Hey, hi! Post it. Tell us about it. Why DO you like it? We want to know.

 

______________________

 

This new Marc Cohn tune came my way via Bonnie Raitt's Facebook page posting her recommendation on my feed. I really like it. It's a slow/grow type tune. The use of 3/4 and 2/4 bars sprinkled in here and there are very nice. Not gimmicky in the least. Completely serving the melody. Nice.

 

Note the pattern in the Chorus and the following instrumental section on the chorus chords immediately (well, 4 bars) after that 1st chorus. It's the same pattern and chords.

 

[ 4/4 ][ 4/4 ][ 3/4 ][ 4/4 ]

 

[ 4/4 ][ 2/4 ][ 4/4 ][ 4/4 ]

 

There's an additional bar of 2/4 in the verses. It appears in the 2nd half of the verse as it goes to the relative major. [ 4/4 ][ 2/4 ][ 4/4 ][ 4/4 ]

 

Another very cool thing about the tune is its structure. That instrumental on the chorus chords, only 4 bars after the 1st chorus, is great. I don't want it to be any where else. Right there. That's the place. But it never would've occurred to me. The playing is both simple and very refined. Great taste and chops from the band. And Cohn sounding a little like Randy Newman.I like this. Cool images lyrically. Makes me want to spend some time with the lyrics.

 

 

 

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I saw these guys way back in the day...I thought they were doing stuff that was other worldly...Page can just flat out play and no one sings like Plant. I always enjoyed this song for its simplicity and acoustic sound. The vid cuts off to soon...

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Marianne Faithfull doing Dylan's, "Visions of Johanna."

 

Wikipedia" "Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, praising the allusiveness and subtlety of the language. Rolling Stone included "Visions of Johanna" on their list of the 500 Greatest Songs of All Time. In 1999, Sir Andrew Motion, poet laureate of the UK, listed it as his candidate for the greatest song lyric ever written. Numerous artists have recorded cover versions of the song, including the Grateful Dead, Marianne Faithfull and Robyn Hitchcock."

 

Personally, I wasn't much of a fan of this song until I heard this version.

 

It's a definite influence because when I came up with an idea for a song a while back, I chose the name "Hannah" for one of the characters as a kind of nod to this tune by Dylan, even though they're nothing alike.

 

https://www.youtube.com/watch?v=8AkMebZzzVI

 

Ain’t it just like the night to play tricks when you’re tryin' to be so quiet?

We sit here stranded, though we’re all doin’ our best to deny it

And Louise holds a handful of rain, temptin’ you to defy it

Lights flicker from the opposite loft

In this room the heat pipes just cough

The country music station plays soft

But there’s nothing, really nothing to turn off

Just Louise and her lover so entwined

And these visions of Johanna that conquer my mind

 

In the empty lot where the ladies play blindman’s bluff with the key chain

And the all-night girls they whisper of escapades out on the “D” train

We can hear the night watchman click his flashlight

Ask himself if it’s him or them that’s really insane

Louise, she’s all right, she’s just near

She’s delicate and seems like the mirror

But she just makes it all too concise and too clear

That Johanna’s not here

The ghost of ’lectricity howls in the bones of her face

Where these visions of Johanna have now taken my place

 

Now, little boy lost, he takes himself so seriously

He brags of his misery, he likes to live dangerously

And when bringing her name up

He speaks of a farewell kiss to me

He’s sure got a lotta gall to be so useless and all

Muttering small talk at the wall while I’m in the hall

How can I explain?

Oh, it’s so hard to get on

And these visions of Johanna, they kept me up past the dawn

 

Inside the museums, Infinity goes up on trial

Voices echo this is what salvation must be like after a while

But Mona Lisa musta had the highway blues

You can tell by the way she smiles

See the primitive wallflower freeze

When the jelly-faced women all sneeze

Hear the one with the mustache say, “Jeeze

I can’t find my knees”

Oh, jewels and binoculars hang from the head of the mule

But these visions of Johanna, they make it all seem so cruel

 

The peddler now speaks to the countess

who’s pretending to care for him

Sayin’, “Name me someone that’s not a parasite

and I’ll go out and say a prayer for him”

But like Louise always says

“Ya can’t look at much, can ya man?”

As she, herself, prepares for him

And Madonna, she still has not showed

We see this empty cage now corrode

Where her cape of the stage once had flowed

The fiddler, he now steps to the road

He writes ev’rything’s been returned which was owed

On the back of the fish truck that loads

While my conscience explodes

The harmonicas play the skeleton keys and the rain

And these visions of Johanna are now all that remain

 

Copyright © 1966 by Dwarf Music; renewed 1994 by Dwarf Music

 

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There are precious few songs that are so powerfully emotional that they are just too hard to listen to at times...this is one for me. A Christmas song! What sparse, suggestive lyrics....so much of what gets said is in the spaces between the words. There are some interesting variances in the lyrics from this live version compared to the album version lyrics copied below.

 

 

Family Life - The Blue Nile

[video=youtube_share;AdrIKMDRLbU]

Starlight, do you know me?

Please, don't look at me now

I'm falling apart

Silver on the window

Like the bike I once had

At home in the yard

Jesus, love let me down

And I know where You are

It might lead somewhere

Gather me in snowfall

And the cars going by

The north and the south

Flowers on the table

And the coffee gets cold

Like the milk in my mouth

Sailing on no honeymoon

Just separate chairs in separate rooms

Jesus, please make us happy sometimes

No more shout, no more fight, family life

Tomorrow will be Christmas

We'll be singing old songs

And light up the tree

God and all the mercy

And say all your prayers

For little old me

Jesus, You wipe the tears from her face

And the sound of his voice, family life

Mystery

Jesus, I go to sleep and I pray

For my kids, for my wife, family life

 

 

nat whilk ii

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"So taunt me and hurt me,

deceive me, desert me,

I'm yours till I die,

So in love, so in love,

So in love with you, my love,

am I..."

 

I have obsessed about this song for days. Such tragic passion. I hear this as an existential waltz or a perfect Bossa Nova. It doesn't matter. It's become my new favorite song.

 

I played it one morning in my bistro. The staff wanted to hear it repeatedly. They didn't really understand the English. But they apparently talked to each other about it because each one who arrived asked me to play it - with encores.

 

Passion, universality beyond language, what more can a songwriter aspire to?

 

Cb9Qx2NomZk

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