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New song: St. John's Spires


BenStoller

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Hey I love this, wonderful imagery. And the vibe/tone is consistent all the way through.

 

Only a couple of things off the bat: I think the music turnaround / switch up on the third line of the verse tries too hard, it's too disruptive, and at the end of the verse I don't get either a happy resolution or tension - it falls flat for me.

 

I wish you connected the dots a little better. First, why are you there? Second, tie the 2nd verse in a little better, what's the point there...maybe more explicitly tie in: 'we just die and that's that' or whatever you're saying.

 

Great stuff.

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Only a couple of things off the bat: I think the music turnaround / switch up on the third line of the verse tries too hard, it's too disruptive, and at the end of the verse I don't get either a happy resolution or tension - it falls flat for me.

 

I kinda like the way the third line does that.

 

I think the chorus and the verses sound too much alike.

 

There are also spots where you've got more syllables than beats. I think you need to pare those lines down a bit. They're not working with the flow of the music.

 

This line: "The hard rains battered an old man's shack on the ridge" is particularly awkward.

 

Other than that you've got an interesting lyric and a catchy tune (except for the chorus).

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Cool lyric. Don't be so down on the vocal... it has an endearing quality... it's different, kind of cool. You need to own it to make it work though. Be aggressive and confident with it and you can pull it off. You may want to pull back on some of the long sustained notes, as that is where the vocal is noticably lacking.

 

I think you could switch up the melody a bit in verse 2 otherwise it gets a bit monotonous.

 

Cool tune. Let's hear some more!

 

 

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@Lee, Thanks!

 

@MB, Thanks! I'll give those ideas some consideration.

 

@LCK, I re-recorded this line: "The hard rains battered an old man's shack on the ridge." Let me know if that fixed it.

 

@Bee, Thanks! I agree I should pull back on the sustained notes.

 

@tbry, Thanks!

 

@rsadsiv, Good ear! Part of the chord progression was influenced by Black Peter. :)

 

 

I've updated the song with a gospel backing during the vocals and some other fixes. See what you think.

 

 

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Cool lyric. Don't be so down on the vocal... it has an endearing quality... it's different, kind of cool. You need to own it to make it work though. Be aggressive and confident with it and you can pull it off. You may want to pull back on some of the long sustained notes, as that is where the vocal is noticably lacking. I think you could switch up the melody a bit in verse 2 otherwise it gets a bit monotonous. Cool tune. Let's hear some more!
Exactly! I really like your delivery. As Bee mentions, nows the time to play up your vocal strengths, of which there are many, and downplay any weaknesses, of which there are few. Your tone is fantastic. Earthy and cool. Your ability to draw the listener in with your attitude and personality is just great. Sustaining notes is not your strength however. There is no shame in that. Try singing short notes wherever there's a long sustained one. Taste the word in your mouth. Without overtly speaking them, think in terms of rolling off the note so you have a spoken quality to those notes which are now sustained. This will highlight the great lyric. And I agree with the earlier comment about the interval leaps. Instead try singing the same note as the previous notes in place of the leaps. Make it simple, direct, and sincere. You already have all that with those minor exceptions that just take a little bit of self awareness. Small fixes here, I believe, will reap huge rewards. you are a storyteller. Own it. I love it.
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Exactly! I really like your delivery. As Bee mentions, nows the time to play up your vocal strengths, of which there are many, and downplay any weaknesses, of which there are few. Your tone is fantastic. Earthy and cool. Your ability to draw the listener in with your attitude and personality is just great. Sustaining notes is not your strength however. There is no shame in that. Try singing short notes wherever there's a long sustained one. Taste the word in your mouth. Without overtly speaking them, think in terms of rolling off the note so you have a spoken quality to those notes which are now sustained. This will highlight the great lyric. And I agree with the earlier comment about the interval leaps. Instead try singing the same note as the previous notes in place of the leaps. Make it simple, direct, and sincere. You already have all that with those minor exceptions that just take a little bit of self awareness. Small fixes here, I believe, will reap huge rewards. you are a storyteller. Own it. I love it.

That's fantastic advice. Don't apologize for your voice, own it.

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