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One Night - did I pull it off?


Oswlek

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Here is an older one from the archives that I'd forgotten about until stumbling across it recently. Not sure if I'm ever going to do anything with it, but for me own good I'd like to firm up any weak spots.

 

[video=youtube;MMMIjFEkV9o]http://www.youtube.com/watch?v=MMMIjFEkV9o

 

The protaganist of "One Night" is a true dirtbag who is trying to seduce a married friend. In my mind I pictured them being halves of couples buddies, though I don't believe I made that clear in the song.

 

So, does the story come across well? Upgrades for a line or two (or three or four...)?

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Busy, huh? Probably had a lot to do with my non-existant mixing skills of two years ago, though I'll listen specifically for that again.


Glad it at least carried you that far.
:thu:

don't get me wrong did go "further" I just heard some different avenues, believe me I know what it is like to pull older mixes, some times I cringe. but not away so

I'll give it more of my ear.

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don't get me wrong did go "further" I just heard some different avenues, believe me I know what it is like to pull older mixes, some times I cringe. but not away so

I'll give it more of my ear.

 

 

I hear you, BTW, I was criticizing the song with my earlier reply, not your efforts. Mea Culpa if it came across differently.

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Listening as I write....

 

Here are a few things I'm hearing.........

 

You're homeward bound

You just need a break

So you say.....

 

.......felt just a bit...wordy. And all those S's in there lead to inherent sibilance issues.

 

But...

 

You believe him

So don't leave him

 

....is fantastic. In fact, perhaps that is your hook line and you should find a way to bring it out even more.

 

Love the way you lead in to the break.

 

Sends your hungry

Other under cover

 

....also fantastic.

 

Very cool interlude......extremely cool in fact.

 

The double vox at around 4:40 didn't make me smile.:cool:

 

Nice lead acoustic work.......:wave:

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The double vox at around 4:40 didn't make me smile

 

 

Another vote against. Duly noted. FTR, my singing is terrible there, so I wonder if that is an issue as well...

 

Thanks for the review, Len. That "so you say" was an area I was ambivalent about. It almost sounds like she is propositioning him wheras it is supposed to mean that see says she'll leave and go home soon enough.

 

I do like the syllabic flow of it, which would keep it "wordy" but I'll see if I can come up with something else.

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I would pursue it, even though the topic all too familiar in many eyes than have ventured there .......There is always two sides of a story one betrayal and one a sad truth some can find easy to

justify. Liked it better the 2/nd 3rd..........

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You know, after listening to Rick's song, perhaps I should just fade out around the 4:15 mark? That would cut it down by a minute and negate the need to "take it up a notch" in that final chorus and leave those harmonizing lead parts as the apex.

 

I think that is the ticket. I even hate the outro solo and this eliminates that as well!

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