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Dingwall Combustion basses


Poltergeist

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So.... yesterday i was talking to SuperBass about thinking of, next summer, if everything went well money-wise, buying a Bergantino NV610 and a Musicman 5 stringer...

 

... then he sent me this website with Bergantino stuff, and i found these babies in it:

 

http://www.bassdirect.co.uk/bass_guitar_specialists/Dingwall_Basses.html

 

jesus {censored}ing christ! i almost had a heart attack... 1100

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This is the first time I've been exposed to them. Like anything new,I'm not sure about that fret fanning idea. Maybe the kinda thing that looks good on paper,but... At any rate I would want to play one first,and I can tell you from experience that you can't go wrong with a MM 5 string!!!

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I've played a couple "real" Dingwalls, and the fanned frets aren't an issue-you adapt to them almost immediately, and they felt completely natural after about 5 minutes. The B-string is fantastic, as would be expected. The build quality, etc. was top-notch.

 

The only problem I had was with double-stops, but some practice would probably negate that issue.

 

I've heard good things about the Combustion basses on TB-you might check there for more information about them, along with information about Dingwalls in general.

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I first played a fanned-fret Dingwall in a Montreal music shop somewhere around 1995-96. It feels very natural and you adjust to it after just a few minutes. The low-B and E-string are absolutely killer. But what really stands out is how even the feel is across all strings. It's like the all have the same tension. Very effortless to play.

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This is the first time I've been exposed to them. Like anything new,I'm not sure about that fret fanning idea. Maybe the kinda thing that looks good on paper,but... At any rate I would want to play one first,and I can tell you from experience that you can't go wrong with a MM 5 string!!!

 

Progress is a good thing.:idea:

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I hear great things about the fanned fret system, but I do not want.

You simply have to try it before you draw any conclusions about it. I thought it would be a nightmare to get my fingers around the board and I figured there was no way in hell it would be worth dealing with fanned frets (not to mention custom strings) just to have a tighter B-string.

 

But once I picked one up, it all made sense. The tone, feel, and build quality are second to none. Honestly, I'm surprised that more builders don't use the Novax system. You wonder why the heck anyone who builds a 5- or especially a 6-string fretted bass would ever build one without fanned frets. Personally, I couldn't see myself owning a 6-string with conventional frets.

 

The only things that keeps me from owning a Dingwall are: (1) I pretty much only play fretless basses; and (2) I pretty much only play 4-strings. Between my '72 Jazz and my '90 Pedulla Buzz, I have all my bases covered.

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You simply have to try it before you draw any conclusions about it. I thought it would be a nightmare to get my fingers around the board and I figured there was no way in hell it would be worth dealing with fanned frets (not to mention custom strings) just to have a tighter B-string.


But once I picked one up, it all made sense. The tone, feel, and build quality are second to none. Honestly, I'm surprised that more builders don't use the Novax system. You wonder why the heck anyone who builds a 5- or especially a 6-string fretted bass would ever build one
without
fanned frets. Personally, I couldn't see myself owning a 6-string with conventional frets.


The only things that keeps me from owning a Dingwall are: (1) I pretty much only play fretless basses; and (2) I pretty much only play 4-strings. Between my '72 Jazz and my '90 Pedulla Buzz, I have all my bases covered.

 

describe the tone to me, will you?

 

i have GAS, but i never played one. i just hear so many amazing things about them and now i see this :love:

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describe the tone to me, will you?

That's pretty tricky to do since they offer such a wide variety of options. You can get neck-thru or bolt-on. You can get them with various body woods. Lots of different options for number of pickups and pickup placement.

 

The one I played was neck-thru, had a pair of Bartolini (IIRC) soap-bars, and was made of exotic woods (I don't remember which ones). I remember there being a VERY strong fundamental and tons of sustain. Like the older neck-thru Modulus Graphite basses used to have. When people talk about "piano-like" tone, this is what they mean.

 

I've heard that newer Dingwalls with bolt-on necks have a more mid-heavy, almost vintage quality to them. People compare the tone to Pedulla Thunderbolt basses (if that means anything to you).

 

Really what stands out to me is the incredible set-up and string-to-string consistency. The lower strings were powerful and rang clear, like a grand piano. The higher strings had a "low-tension" feel. Think of a Jazz Bass strung with DR Fat Beams. Totally effortless playability.

 

Keep in mind that I'm a 6'1" lanky dude with long fingers. The bass was big. I found it felt great. But a smaller guy with smaller hands might not have found it as comfortable as I did.

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The
one
I played was neck-thru, had a pair of Bartolini (IIRC) soap-bars, and was made of exotic woods. I remember there being a VERY strong fundamental and tons of sustain.


I've
heard
that newer Dingwalls with bolt-on necks have a more mid-heavy, almost vintage quality to them.

 

By now, I suppose you've seen this, as well ? :D

 

Just rubbing it in, just rubbing it in.

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