It's lkely I'll work this out by noodling with it till it sounds right, but I'm curious as to how other bass players would approach it. I've got an original tune in 3/4 time where each verse has a descending chord pattern: Bm, A, G, F#. Two of those are played long enough for some wiggle room on what notes I play on the bass. But the remaining two are transitional: only there for one measure. Yeah I could just play the triad but that seems lazy. How do you guys approach this kind of challenge?
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