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News: Seymour Duncan

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Strat® players can customize their sound and upgrade their electronics in minutes with our new series of Fully Loaded Pickguards. The Triple Rails Pickguard is locked and loaded for those that play rock or metal using the ferocious Hot Rails for Strat® pickups.

 

The Classic Pickguard features a Custom Stack plus in the bridge, a Classic Stack in the middle and a Vintage Hot in the neck, giving you the sound of a Classic Strat® and then some.

 

The Bring Your Own Pickups Pickguard allows you to choose your pickup combination so that you can create the tone you desire. Install any combination of pickups in minutes thanks to the Liberator which is installed in the Triple Rails, Classic and Bring Your Own Pickups Pickguard and will allow you to change your pickups in minutes using only a screwdriver. The Antiquity Pickguard features an artfully aged look with true vintage tone and each is personally signed by Seymour W. Duncan.

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Tuesday, December 27, 2011 3:35 PM

Tone Hunt
\
The Great Tone Treasure Hunt
The Great Tone Treasure Hunt

Seymour  Duncan has teamed up with Godin, Cort, Richmond Guitars, Schecter Guitars, Jarrell Guitars, US Music Corp, and  several artists to bring you an adventurous journey full of amazing tone  treasures just waiting to be discovered. "Many people  have theorized through the ancient Mayan calendars that 2012 is, in  fact, the end of the world. However, we believe that 2012 is a year in  which many will find their tone. This hunt represents a chance for  everyone to discover new tone tools—and some incredible treasure." — David Orpheus, MMXI
The Great Tone Treasure Hunt is conducted online and through ToneHunt.com. It begins at the stroke of midnight (PST) at the beginning of the new  year. Each hunt has three clues. Once you've solved them, submit your  answers through the "Dig for Treasure" menu. Once we have a winner,  we'll announce the prize and the answers — and then another hunt will begin, with exciting new prizes!

The countdown has begun. Join The Great Tone Treasure Hunt at:

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Santa Barbara, California: Seymour Duncan announces the release of a new guitar pickup system that combines the best aspects of traditional passive pickups and cutting-edge active designs.
Created for Gus G., the electrifying young virtuoso just off the road with Ozzy Osbourne, the Gus G. FIRE Blackouts System includes a  pair of traditional-looking humbucking pickups and a low-noise,  high-output dual active preamp. Now hard rock and metal guitarists can  get the explosive power they demand without sacrificing the expressive,  hair-trigger response of a great passive pickup. It's the most organic-sounding active pickup system ever.
The  Gus G. FIRE Blackouts System includes two pickups handmade in Santa  Barbara, California, and a U.S.A.-made Blackouts preamp that replaces  one of the guitar's volume pots. The preamp features the bare-wire lockdown system used in Seymour Duncan's Liberator  Solderless Pickup Change System, so players who already have active  pickups in their guitar can install the new system using only the  included screwdriver. The package also includes three 25K potentiometers for guitarists who are migrating from passive pickups.
"This  system combines the massive tone, kick, and distortion of Blackouts  with the rich tone and expressive feel of my favorite passive pickups.  It responds perfectly to all my picking techniques, and more of my personality comes  through than with any active pickup I've tried.” —Gus G.
For product information and to locate a store visit: www.SeymourDuncan.com/GusG
Gus G. FIRE Blackouts Video
Seymour  Duncan is the world's leading designer and manufacturer of musical  instrument pickups, offering musicians a wide range of pickups and a  full line of effects pedals, along with renowned customer service. The company also operates the Seymour Duncan Custom  Shop, a boutique workshop that has created custom pickups for many of  the world's leading guitar players. For more information about Seymour  Duncan, visit www.seymourduncan.com.

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It’s been more than 40 years since Seymour W. Duncan began crafting extraordinary sounds for many of the world’s top players--but this year marks the 35th anniversary of Seymour Duncan, the company he and Cathy Carter Duncan founded in 1976. That’s when Seymour began offering guitar products and custom pickup services to the larger world of musicians, transforming the way all kinds of players think about the possibilities of guitar and bass tone.

 

To kick off our anniversary year, we’re celebrating with a schedule of artist appearances at the NAMM Show, January 13 through 16 in Anaheim, California. The Seymour Duncan is in Hall B at Booth #5561.

 

SEYMOUR DUNCAN NAMM 2011 ARTIST APPEARANCES

Friday, January 14

1:00 PM

¡En Español! Alex Lora del Tri; Lalo Carillo, bajista de Luis Miguel; César “El Vampiro” López de Jaguares/Caifanes

 

2:00 PM

Mick Thomson of Slipknot

 

3:00 PM

Bass! Bootsy Collins, Steve Bailey, P-Nut of 311

 

4:00 PM

Randy Bachman of Bachman & Turner and Seymour W. Duncan

 

Saturday, January 15

1:00 PM

Dino Cazares of Fear Factory and CJ Pierce of Drowning Pool

 

3:10 PM

George Lynch of Lynch Mob and Alex Skolnick of Testament

 

4:00 PM

Yngwie Malmsteen

 

Sunday, January 16

2:00 PM

Warren DeMartini of Ratt and Lita Ford

 

You’re the Star: Tell Your Seymour Duncan Story

We often meet or hear from people eager to share memorable Seymour Duncan experiences, or wanting to tell about the pickup epiphany that helped them find their sound. Since its our 35th Anniversary year, we decided to take more of you up on it. If you’re coming to NAMM, we invite you to stop by Booth #5561. We’ll capture your Seymour Duncan story or pickup experience on video, and we’ll send you a copy.

 

Two Seymour Duncan Pedals Make Guitarist’s All-Time Best Stompbox List!

For their December cover story, Guitarist, the UK’s premier guitar magazine, named the 101 Best Stompboxes of All-Time, Ever! Two Seymour Duncan pedals made the cut of all-time greats: The Pickup Booster and the Deja Vu Tap Delay Our first response? Woo-hoo! Our second? Well, we posted this cool new Deja Vu video.

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Replacement Volume Potentiometer Allows Electric Guitar and Bass Pickup Changes with Just a Screwdriver

 

Seymour Duncan announces the debut of LiberatorTM, the first universal Solderless Pickup Change System for guitar and bass. Liberator is a bare-wire Lockdown system integrated with a high-quality volume pot. With a Liberator-equipped volume pot installed, changing pickups no longer requires heating up a soldering gun—you only need a mini screwdriver. Since Liberator doesn't require proprietary connectors, it works with nearly any manufacturer's passive pickups.

 

Pickups play a key role in defining an instrument's tone, output, responsiveness, and feel, and different pickups can change the character of an instrument entirely. Vintage-style pickups may convey classic warmth or twang while hot-rodded designs can produce much higher output, greater articulation, or enhanced harmonic response. All of these factors combined affect how an individual interacts with his or her instrument. Soldering pickups is an exacting procedure that can be time-consuming for experienced guitar techs and daunting for players who lack soldering skills. With a Liberator volume pot installed in a guitar or bass, replacing pickups becomes a quick and easy process for players and techs alike.

 

See how fast you can change a pickup with Liberator.

 

"Liberator offers a fast, yet rock-solid way for guitar techs to change pickups without firing up the soldering gun, but it also opens the floodgates for legions of players who'd never consider soldering," says Frank Falbo, Seymour Duncan Vice President of Products. "It broadens the entire landscape of guitar tone. Liberator marks a major new chapter in our long history of helping guitar and bass players find their own personal voice."

 

Company co-founder Seymour W. Duncan agrees. "This is a really exciting development," he says. "As a company, we've spent 35 years helping musicians get great tone. Now with Liberator, we can reach more musicians than ever."

 

To install pickups with Liberator, you simply insert the bare-wire ends of the pickup leads into Liberator's color-coded Lockdown connector stations. Turning each station's screw raises a metal clamp that secures the leads far more reliably than plug-in connectors or less-than-perfect solder joints.

 

Liberator with Volume Pot is available in 250kΩ and 500kΩ versions for single-coil and dual-humbucker guitars, each for a U.S. retail price of only $35. In early 2011, Seymour Duncan will offer more completely wired, easy-install versions of the Liberator system, including pre-connected volume-and-tone wiring harnesses and pre-wired pickguards.

 

Anatomy Of Liberator

Liberator is akin to a telephone switchboard or studio patch bay, where easy-insert plug-in stations up front correspond to hard-wired connections behind the scenes. Liberator has two patch bays: The ten-station Pickup Connector and the four-station Potentiometer Connector.

 

The Pickup Connector's ten stations directly match the connections of two four-wire humbucking pickups, plus the shield wire, which goes to ground. The colors of the adjacent outbound wires correspond to Seymour Duncan's humbucker wiring color scheme, but an included color-code guide makes it easy to install pickups from other companies that use different color schemes, as well as single-coils, and single-coil and humbucker combinations.

 

For the Potentiometer Connector, three stations correspond to the three lugs on a volume pot—input, output, and ground—with an additional ground for bridges or tremolo systems. For those who like soldering and only want to use the Liberator's Lockdown stations to connect pickups, there are gold-plated solder points for input, output, and ground, plus seven additional gold-plated ground pads, which are designed to be much easier to solder than the back of a potentiometer.

 

35-Year Tone Revolution

The Liberator Solderless Pickup Change System with Volume Pot and pre-wired solutions come at a momentous time for Seymour Duncan. In 2011, the company is marking its 35th Anniversary of helping musicians individualize their sound. The company founded by Seymour W. Duncan and Cathy Carter Duncan ushered in the era of hot-rodded pickups, authentic vintage pickup recreations, and custom pickup rewinds, all of which brought revolutionary guitar and bass tone to the world's top players and legions of working musicians everywhere. Helping musicians achieve personalized expression is the company's long-time mission, and Liberator is a significant step toward breaking down the barriers between technical skill and an actualized personal musical voice. Now for the first time, anyone who can turn a screwdriver can change pickups.

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No other guitarist unleashes the fury like Yngwie J. Malmsteen. His influence is undeniable, his technique unparalleled. So, when a legendary axe-slinging metal virtuoso like Yngwie says he wants to take his tone to the next level, we listen. After hundreds of hours of intense tone pursuit, we proudly unleash the STK-S10 YJM Fury. The YJM series includes a dedicated bridge pickup as well as a separate neck/middle pickup, representing two highly individual customized voices that sound sweet and fluid with more articulation and responsiveness to dynamics. They're recommended for any fast playing style including neo-classical, shred, hard rock, power metal, and heavy metal and can directly retrofit most single-coil equipped guitars. But players beware, installing the YJM Fury into your guitar, might unleash the Fury in you.
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When six strings seem too conventional and seven strings still just aren't enough, Seymour Duncan announces the release of the latest version of our hugely successful Blackouts series, the 8-string Blackouts for 8-string guitars. For the new generation of 8-stringed guitars, 8-string Blackouts provide more headroom while still generating thick and full lows without sounding muddy or dull. Designed from the ground up specifically for the need of 8-string players, these metal beasts contain ceramic magnets for both the neck and bridge versions, specifically voiced for heavy rock with greater dynamic range, less scooped mids, and less compression than other active pickups. ???For anyone who has tried to record using an 8 stringed guitar, the biggest complaint has been that most pickups deliver a thudy sound, chopping off the dynamic range. The results can be clearly seen, like a "flatline" effect in the recording wave. 8-string Blackouts allows each register to have its own character, like you expect from any six string sound, but now with deeper bass lines and no flat-lining. It simply allows the player be more expressive. The industry agrees that 8-string Blackouts are clearly an improvement, evident by the fact that many guitar makers like Schecter?? Guitars, who are delving into the 8-string guitar world, are offering the 8-string Blackouts. Their latest, offering the Schecter BlackJack ATC-8 limited edition guitar comes with 8-string Blackouts installed. Like the full line of Blackouts, the 8-strings provide a tone that sounds less compressed with a more extended frequency response. Blackouts active humbuckers are up to 14dB quieter than the competition, but they also have more lows, more highs, and more output. Blackouts 8-string are designed to direct retrofit any 8-string electric guitars and are available in individual neck and bridge models, or as a two-pickup set. All versions come with all necessary mounting hardware, including pots, jack, and a battery clip. Neck model
  • Resonant Frequency 700 Hz
  • Average output voltage 0.65 Volts RMS (1)
  • Max. output voltage 2.60 Volts RMS (2)
  • Noise -97dBV
  • Output Impedance 1K Ohm
  • Current consumption 350 micro-amperes
  • Battery life 1420 hours (3)
  • Preamp topology Discrete hybrid differential, FET input
  • Preamp Gain 16 dB
  • Preamp Thd @ 1Vo .003%
Bridge model
  • Resonant Frequency 650 Hz
  • Average output voltage 0.65 Volts RMS (1)
  • Max. output voltage 2.60 Volts RMS (2)
  • Noise -96dBV
  • Output Impedance 1K Ohm
  • Current consumption 350 micro-amperes
  • Battery life 1420 hours (3)
  • Preamp topology Discrete hybrid differential, FET input
  • Preamp Gain 18 dB
  • Preamp Thd @ 1Vo .003%
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Seymour Duncan announces the release of the latest addition to our popular Blackouts Humbucker series the Blackouts AHB-3 Thomson EMTY. Like its predecessors (The AHB-1 and AHB-2), the Blackouts AHB-3 EMTY provides distinctive, screaming metal tones, packing a serious mid-range punch, thicker, darker chords than other humbuckers and hard-hitting driving leads. The 9-volt active Blackouts are designed specifically for more aggressive playing styles including players using extreme low tunings. The EMTY takes it a step further, created to meet Mick Thomson's personal specs and metal desires. Mick asked for tighter bottom, and more searing top end cut, and Seymour Duncan delivered. The AHB series conveys a less compressed tone, with a more extended frequency response helping to cancel hum by using balanced inputs. Blackouts are up to 14dB quieter than any other active pickups, while producing more lows, more highs, and more output. Simply put, Blackouts have more tone than other active pickup. And players have noticed the benefits of the reduced hum, especially during recording. Thomson was already an avid fan of the Blackouts when he met Seymour Duncan Head of Artist Relations, Evan Skopp during a discreet backstage meeting at the 2008 Loud Park festival in Japan. Mick stayed involved every step of the way from the precise wiring configuration to the logo and printing on the pickup including his renowned "seven" imprinted right on the side of the cover. Now he depends on EMTY to execute his completely psychosocial tone that defines the Slipknot sound; because to play extreme metal, you need extreme metal tone. AHB-3 Blackouts EMTY are available as Mick's two-humbucker set, or in individual neck and bridge models to mix and match with other Blackouts and Livewires Classic II active pickups. All versions come with all necessary mounting hardware, including pots, jack, and a battery clip. For players with active pickups already installed, the EMTY can plug right into the quick connection harness, making it a snap to unplug the old pickup and plug in the new EMTY. Magnet: Alnico V Bar (neck)/Ceramic with Steel Blade (bridge)
Resonant Peak
Neck: 780Hz
Bridge: 610Hz
EQ:
Bass: 5
Mid: 5
Treb: 9
Cable: Three Con. Shielded
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Face it. Guitar tones are getting heavier and heavier. It's just the state of modern rock music today. That's a fact. Seymour Duncan has responded with the SH-15 Alternative 8™ their first production pickup to use an Alnico 8 magnet. The Alternative 8 starts with hot coils wound for maximum output. With the addition of the Alnico 8 magnet, the output is enhanced with a huge, punchy sound, full of fat mids and present upper-mids. This is a dynamic pickup that doesn't get "sizzly" or dark. The Alnico 8 is perfect for all rock styles and it's great for use with high gain amps.

The Alternative 8 is recommended for the bridge position and it's available uncovered, with gold or nickel covers, and in Trembucker spacing. It matches great with a moderate output neck pickup like the SH-1n '59 or the SH-2n Jazz Model.

Duncan recommends pairing the Alternative 8 with one their distortion pedals like the SFX-04 Twin Tube Mayhem, the SFX-05 Lava Box or the SFX-08 Power Grid distortion for genre-spanning guitar tones that range from straight-ahead rock to blazing metalcore.

The SH-15 is vacuum wax potted for squeal-free performance. Mounting hardware (screws and springs) is included as is a detailed wiring diagram. The Alternative 8 is hand built in Duncan's Santa Barbara, California factory.

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Capitalizing on the success of their previous stompbox offerings, Santa Barbara-based Seymour Duncan released their latest pedal, the SFX-04 Twin Tube Mayhem™. The Twin Tube Mayhem is a high gain guitar preamp that uses a duet of subminiature 6205 vacuum tubes and is voiced to evoke the heaviest sounds that define metal. The new-old-stock, USA-made Phillips Sylvania® 6205s represent the pinnacle of tube technology. They were designed and manufactured to meet the U.S. Government's MIL-E-1 spec for reliability under conditions of severe shock, vibration, and temperature. They provide extremely long service life and exhibit virtually no tendency toward microphonics.

High-quality vacuum tubes are only part of the key to a great-sounding tube preamp. Too often, inexpensive tube gear runs in "starved plate mode," where the tubes function like clipping diodes and do not actually amplify. The Twin Tube Mayhem employs a fully encapsulated, toroidal transformer to achieve the high plate voltage required for true tube amplification and maximum dynamic range. Additional gain is achieved with a high voltage, low noise, discrete Class A input stage. The solid state input stage increases the resistance of the stomp-box to microphonics. The result is maximum dynamic range, the most gain, the smoothest tone, and the low-order harmonics one expects from a great tube preamp.

The Twin Tube Mayhem also features a user-selectable 4dB or 8dB boost. This allows for lead and rhythm levels to be set independently. Voiced for heaviest rock tones, the Mayhem offers raw tube sound, thick distortion, and present low order harmonics. The Twin Tube Mayhem also features true bypass with gold relays, over 90 dB of gain, a silent switching circuit designed to eliminate pops and clicks, and a heavy-duty chassis with a nickel plated chassis and stylish "chicken head" knobs. A 16-volt AC transformer is also included.

Specifications:

  • Gain (measured at 1 KHz)
    • Before Level Compensation—97 dB
    • After Level Compensation—71 dB
  • Nominal Output Level—0.25 Vrms (-10dBu) (Nom. Output level measured with 100mV 1 KHz input signal and all controls set to 12 o'clock)
  • Max. output level before clipping—5 Vrms (16dBu) (Max. output measured with gain set at 50% and all other controls set full up and boost footswitch set to 8dB)
  • Input Impedance: 100Kohms
  • THD @ 100mV RMS output—.5%
  • Noise @ Output—4mV (< 3dB hum content)
  • Boost Footswitch Gain
    • Two selectable boosts, 4dB and 8dB. No effect on tone, just increased level.
  • Active Equalization Section
    • Bass Control: 126 Hz, Q = 1.5, Gain = +/-12dB
    • Midrange Control: 596 Hz / 1389 Hz, Q = 1.5, Gain = +/-12dB
    • Treble Control: 2.93 KHz, Q = 1.4, Gain = +/-12dB
  • Power consumption—11 W
  • External Dimensions—7.50" X 6.62" X 1.96" (190mm X 168mm X 50mm)
  • Weight—3.15 lbs. (1.43KG)


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More than a decade after launching seymourduncan.com, Seymour Duncan, the Santa Barbara-based guitar pickup and stompbox giant, announces the re-launch of their highly successful website. While the new site retains much of the graphic look of the previous site, it contains new features that will make it easier to navigate and easier to convert prospects into sales.

"In the space of two seconds, we want our web page to tell our customers who we are, what we sell, and where to buy it," says Evan Skopp, VP Marketing. "That's why we added 'Pickups and Stompboxes' to our logo." The new site has big, random-rotating images of products, and a slow-dissolve slide show of featured artists along with an audio player featuring the music of Seymour Duncan artists.

The re-vamped Product section features more images, beefed up descriptions, and a "Buy Now" button next to each product which takes the viewer to a dealer locator or to a listing of top online dealers or to a list of international distributors.

Long a popular feature of seymourduncan.com, the home page will continue to feature a weekly blog written by Kellie Stoelting, aka "Webmistress Kellie," in which she writes about the goings-on of a major musical instruments company based on Southern California. "There's always an artist walking through the building or Seymour playing guitar with someone or a new product to talk about," says Stoelting.

According to the web ranking company Alexa, seymourduncan.com is the most trafficked website in the guitar accessories category.

Skopp credits much of the success of the site and its popularity to its highly engaged User Group Forum. "The forum started in 1996," says Skopp. "That's like a hundred human years ago. From the very beginning, we let users talk about our competition together with our pickups with little or no censorship. Especially back then, but even nowadays, that's very unusual for a corporate-sponsored site. But because of that, we've become the de facto pickup forum on the Internet. If a consumer wants advice on how to wire up one of our competitor's pickups, they come to seymourduncan.com where they know they'll get an answer in real time. While they're here, they're exposed to numerous Seymour Duncan messages. The next time they need to buy a pickup, they'll remember that we were the ones to help them. We've done a lot to engage the User Group members including special forum-only pickup offers, pre-release product announcements, and even User Group gatherings at the Seymour Duncan factory and around the world."

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After the resounding success of their active Dave Mustaine LiveWires humbucker last year, Seymour Duncan, the Santa Barbara-based pickup giant, follows-up with the launch of Blackouts, a new range of 9-volt active pickups for electric guitar.

Before Duncan started designing Blackouts, they did a little market research. They found that while lots of guitarists love active pickups, many wanted a tone that was less compressed, with a more extended frequency response.

In their efforts to solve those issues they discovered that some of the most popular active pickups have a critical design flaw in their circuit architecture—they use unbalanced inputs in a differential preamp. The problem is, an unbalanced differential preamp is not very effective at cancelling hum. Duncan's engineers figured out how to capture the tone that players want in an active design while using balanced inputs.

The result is that not only are the new Seymour Duncan Blackouts active humbuckers up to 14dB quieter than the competitions', but they also have more lows, more highs, and more output. Simply put, the Blackouts have more tone than other active pickups.

Players will notice the benefits of the reduced hum when they record, especially if they're around computer monitors or fluorescent lighting. As for the benefits of having more tone, well those will be apparent everywhere.

Some of the many A-list guitar artists who have switched to Blackouts include Mick Thompson of Slipknot, Dino Cazares of Divine Heresy, Corey Beaulieu of Trivium, Silenoz of Dimmu Borgir, Mike Schleibaum of Darkest Hour, and Rob Trevino of Helstar.

Blackouts are available in individual neck and bridge models, or as a two-pickup set. All versions come with all necessary mounting hardware, including pots, jack, and a battery clip.

Specifications

Neck model:

  • Resonant Frequency - 750 Hz
  • Average output voltage - 0.65 Volts RMS (1)
  • Max. output voltage - 2.60 Volts RMS (2)
  • Noise - -97dBV
  • Output Impedance - 1K Ohm
  • Current consumption - 350 micro-amperes
  • Battery life - 1420 hours (3)
  • Preamp topology - Discrete hybrid differential, FET input
  • Preamp Gain - 16 dB
  • Preamp Thd @ 1Vo - .003%


Bridge model:

  • Resonant Frequency - 530 Hz
  • Average output voltage - 2.00 Volts RMS (1)
  • Max. output voltage - 2.60 Volts RMS (2)
  • Noise - 96dBV
  • Output Impedance - 1K Ohm
  • Current consumption - 350 micro-amperes
  • Battery life - 1420 hours (3)
  • Preamp topology - Discrete hybrid differential, FET input
  • Preamp Gain - 18dB
  • Preamp Thd @ 1Vo - .003%


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Seymour Duncan/Basslines' new SFX-06 Paranormal Bass EQ Direct Box is not your ordinary direct box. Like all DIs, it sports a balanced line out XLR jack with ground lift so you can feed a front-of-house mixing board or a recording console with no loss of signal. But that's where the similarities end, because the Paranormal also features three bands of active EQ specifically optimized for bass. This allows the bass player to dial in their tone in any room, sculpting lows, mids, and highs quickly and easily with up to 12dB of boost or cut for each band of EQ. It's the perfect solution for bassists who want the flexibility of an active system but don't want to modify their instrument.

The SFX-06 also features Basslines' proprietary Slap Contour switch, which applies an additional preset EQ curve to whatever settings you've chosen with the 3-band EQ. This produces a tone that's perfect for slap playing but also works great as an alternate sound for fingerstyle or pick playing. This switchable function makes the Paranormal even more flexible onstage and in the studio. It's a must for every gig and every session.

The Paranormal runs on a single 9-volt battery or a regulated DC power supply and features true bypass. And like all Seymour Duncan/Basslines pedals, it's built like tank.

SFX-06 Specifications:

  • Gain Range: +/- 12dB
  • Input Impedance: 1M&ohm;
  • Output Impedance: 2K&ohm;
  • Max Output before Clipping: 2.6Vrms
  • Noise and Hum: -92dBV
  • THD @ 1Vrms out @ 1 KHz: 0.002%
  • Type of Circuitry: FET Input OP-Amps w/ Discrete Gyrators
  • Power: DC 9 - 12V; Battery or Regulated DC Adapter
  • Current Consumption: 2.9 mA Max
  • Dimensions: 5.50" Wide x 5.20" Deep x 2.20" Tall
  • Weight: 1.9 Lbs.
  • Chassis Material: 16 Gauge Steel
  • EQ Center Frequencies: Bass - 30Hz; Mid - 650Hz; Treble - 5.2KHz
  • Slap Contour Frequencies: +6dB @ 80Hz; -6dB @ 650Hz


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Seymour Duncan's latest foot effects release is the SFX-05 Lava Box™. However, the Lava Box is not an ordinary Mosfet distortion/overdrive pedal. It actually reacts more like a great amp than a stompbox, with the depth and dynamics that give well-made amps so much character.

When you think about the tones that defined so many of the true guitar heroes throughout history, they all really speak. They cut through. They say something. A huge part of that is in the rich midrange frequencies that the amplifiers of the day naturally produced. And, because those amps were typically cranked up to full volume, they were also incredibly dynamic, responding to different picking attacks and even subtle changes to the guitar's volume control.

The Lava Box brings that magic back with its broad array of midrange timbres and its amazing sensitivity to picking intensity and volume changes. One of coolest features is the six-position "Rumble" bass roll-off control. This rotary knob changes the sonic character of the Lava Box's distortion for a huge range of tones, from bright and spanky to deep and warm. Whether you have the thinnest single-coil in the bridge of your guitar or the woolliest humbucker in the neck, there is a Rumble setting that's perfect for it.

Even at the highest gain settings, you can turn down your guitar's volume control and the Lava Box will clean up beautifully. Onstage, you can set the Lava Box for a loud lead tone and simply use your guitar's volume control to get your clean and crunch tones—all without switching channels or kicking in other effects. In the studio, you can explore the huge array of tones that are available with the intuitive controls, creating special-effect thin tones or spooky dark sounds that are perfect for layering and overdubs.

Specifications:

  • Gain Range: 33dB - 57dB
  • Type of Circuitry: 2 Stage Mosfet Input with CMOS Class A Output
  • Power: DC 9 - 12V; Battery or Regulated DC Adapter
  • Current Consumption: 4.0 mA Max
  • Dimensions: 4.62" Wide X 5.10" Deep X 2.20" Tall
  • Weight: 1.6 Lbs
  • Chassis Material: 1.6mm Steel
  • "Rumble" Control Low Frequency Roll-offs: 620Hz; 530Hz; 330Hz; 300Hz; 210Hz; 160Hz


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Seymour W. Duncan the man and Seymour Duncan Pickups the company have been turning out world class guitar tone for over 30 years. Now, players all around the world can get in an insider's view into the inner workings of electric guitar pickups and a pickup company. Seymour Duncan's Guide to Pickups [Alfred Publishing, ISBN 10: 0739037986] will help guitarists and tinkerers understand how pickups work, how to install them, and even how to choose which pickups are best suited for the tone they're seeking.

Join Seymour and company for an authoritative, in-depth study of guitar pickups and how they're created at Seymour Duncan. There's a comprehensive explanation of the inner workings of pickups and how to go about choosing the right ones to match certain woods and timbres. Seymour gives a demonstration on proper pickup installation technique with lots of cool hints and tricks. There's also a behind-the-scenes factory tour, and Seymour joins the company's co-founder, Cathy Duncan, for insight into the beginnings of a company that is now the world leader in its product class. In addition, there's a multimedia tone guide, complete with sound samples.

The DVD also contains artist testimonials from Blues Saraceno, Nuno Bettencourt, and members of 311, Hawthorne Heights and Fall Out Boy.

$19.95

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